Fargo (2014– )
9.0/10
2,985
7 user 9 critic

Aporia 

Emmit sits down with Gloria; Nikki negotiates a deal.

Director:

Keith Gordon

Writers:

Noah Hawley, Robert De Laurentiis (as Bob DeLaurentis) | 1 more credit »
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Photos

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Cast

Episode cast overview, first billed only:
Ewan McGregor ... Emmit Stussy
Carrie Coon ... Gloria Burgle
Mary Elizabeth Winstead ... Nikki Swango
David Thewlis ... V.M. Varga
Russell Harvard ... Mr. Wrench
Shea Whigham ... Moe Dammick
Hamish Linklater ... Larue Dollard
Olivia Sandoval ... Winnie Lopez
Mark Forward ... Donny Mashman
Mary McDonnell ... Ruby Goldfarb
Randolph West ... George Stussy (as Randolf West)
Graham Verchere ... Nathan Burgle
Andy Yu ... Meemo
Trevor Jones ... Gilroy
Peter Skagen ... Detective
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Storyline

Emmit sits down with Gloria; Nikki negotiates a deal.

Plot Summary | Add Synopsis

Plot Keywords:

semi truck | See All (1) »

Genres:

Crime | Drama | Thriller

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Details

Country:

USA

Language:

English

Release Date:

14 June 2017 (USA) See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.00 : 1
See full technical specs »
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Did You Know?

Trivia

The episode won an Emmy Award for Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score). See more »

Quotes

Emmit Stussy: What's that old quote? The greatest trick the devil ever pulled was convincing the world he didn't exist.
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Connections

References The Usual Suspects (1995) See more »

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User Reviews

who would care..
14 March 2018 | by merelyaninnuendoSee all my reviews

Fargo

Aporia

Fargo being critically acclaimed and buzzed at awards shows is actually worth the hype and deserves the respect for its richness in acting, execution, writing and background score department. Fargo breeds power and vulnerability two opposite sides of the coin and walks right in the middle of it attaining a perfect balance between practicality and drama.

Season 03; being nominated in Golden Globes for three awards, is witty and talkative unlike its predecessor that used to express itself more on violent tone whilst this one believes in humiliation, trickery and threats which in account of excellent execution works far better than any of it could ever have. On common terms, it still relies a lot on depiction of it hence on performance and execution on which it doesn't fail and addition to that it; as always, has amazing background score.

The bonding between two personalities being cornered in a critical situation is portrayed stunningly with fine details that is convincing to the audience and all the credit goes to the brilliant writers and the director whose execution is excellent.


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