6.1/10
157,844
468 user 293 critic

A Million Ways to Die in the West (2014)

Trailer
2:39 | Trailer
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his newly found courage to the test when her husband, a notorious gun-slinger, announces his arrival.

Director:

Seth MacFarlane
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Popularity
1,645 ( 359)
6 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Seth MacFarlane ... Albert
Charlize Theron ... Anna
Amanda Seyfried ... Louise
Liam Neeson ... Clinch
Giovanni Ribisi ... Edward
Neil Patrick Harris ... Foy
Sarah Silverman ... Ruth
Christopher Hagen ... George Stark
Wes Studi ... Cochise
Matt Clark ... Old Prospector
Evan Jones ... Lewis
Aaron McPherson ... Ben
Rex Linn ... Sheriff / Narrator
Brett Rickaby ... Charlie Blanche
Alex Borstein ... Millie
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Storyline

Set in 1882 in the American west, Albert is a lowly farmer with a nice girlfriend. But when she leaves him for the more successful and handsome owner of a moustachery store, Albert returns to his lonely daily life of trying to avoid death. Then the mysterious Anna rides into town and captures Albert's interest and heart, but with her deadly husband in town, Albert is going to have to become the western gun-slinging hero he never was. It won't be easy because there are a million ways to die in the west. Written by Anne Campbell

Plot Summary | Plot Synopsis

Taglines:

Bring protection See more »

Genres:

Comedy | Western

Certificate:

16 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Navajo | Mandarin

Release Date:

29 May 2014 (Netherlands) See more »

Also Known As:

Pueblo chico, pistola grande See more »

Filming Locations:

Monument Valley, Utah, USA See more »

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend USA:

$17,069,000, 1 June 2014, Wide Release

Gross USA:

$43,139,300

Cumulative Worldwide Gross:

$86,408,083
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Unrated)

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color (ACES)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Ewan McGregor: At the fair, when Albert asks why everyone is laughing at Foy's joke. McGregor was shooting another movie in the area, and was happy to cooperate. See more »

Goofs

Electric welds apparent on photographer's flash pan and on windmill vanes. Although electric arc welding had been invented by the early 1880s, it wasn't in common use until well into the 20th century. See more »

Quotes

[first lines]
Narrator: Some people are born into the wrong time and place. This was the American frontier in 1882, a hard land for hard folk. Food was scarce, disease was rampant, and life was a daily struggle for survival. Hell, this was Miss America in 1880.
[picture of a leathery middle-aged woman]
Narrator: Holy shit. To build a home and a life in this harsh, unforgiving country required that a man be bold, fearless, and tough as iron. The men who were courageous and resilient were the men who prospered. But ...
[...]
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Crazy Credits

There is a post-credits sequence involving the gunman at the fair from the final scene. See more »

Connections

References The Terror of Tiny Town (1938) See more »

Soundtracks

Tarzan Boy
Written by Maurizio Bassi and Naimy Hackett
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Frequently Asked Questions

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User Reviews

 
I loved it!
12 June 2014 | by rzajacSee all my reviews

Yeah, yeah; it's getting lacklustre reviews, and I half understand why.

It's not a timeless piece of comedy, but it's got spunk, wonderful production values, inspired comedic acting (even the 'bit' roles), and it has well-turned moments of stunningly genuine romance. Of note: If other comedy films are "better", why did I find more good ol', down-home belly laughs in this one? I think I know why: Sure, MacFarlane can play it blue and scatological, but he also values that other timeless comedic tradition; that which is Truly Funny Because It Is True.

Special Mention for Sarah Silverman. I think she struggles to reach out and touch with her unique and beautiful style, and goes largely unappreciated. MacFarlane gave her a great vehicle, and she lived up to it with the kind of aplomb and vivacity that I've certainly come to expect from her. I sincerely hope moviegoers will recognize this and watch her career with heightened expectations.

One thing I thought a bit odd: The Onion reviewer's main critique was that MacFarlane was "recycling" gags. I was half-expecting to find a tiresome rehashing of a few gags. I started watching, and found it engaging and surprising.

Anyway, it sorta looks like the horse is out of the barn. The flick did sh1t at the box office, and it'll go to DVD and maybe recoup its outlays. Too bad! It deserves better.


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