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Valentino (1977)

In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »

Director:

Ken Russell

Writers:

Ken Russell (screenplay), Mardik Martin (screenplay) | 2 more credits »
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Nominated for 3 BAFTA Film Awards. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Rudolf Nureyev ... Rudolph Valentino
Leslie Caron ... Alla Nazimova
Michelle Phillips ... Natasha Rambova
Carol Kane ... Fatty's Girl
Felicity Kendal ... June Mathis
Seymour Cassel ... George Ullman
Peter Vaughan ... Rory O'Neil
Huntz Hall ... Jesse Lasky
David de Keyser David de Keyser ... Joseph Schenck
Alfred Marks ... Richard Rowland
Anton Diffring ... Baron Long
Jennie Linden ... Agnes Ayres
William Hootkins ... Mr. Fatty
Bill McKinney ... Jail Cop
Don Fellows ... George Melford
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Storyline

In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. Ballroom dancer Valentino manipulated his good looks and animal-like grace into a Hollywood career. His smouldering love making, tinged with a touch of masterful cruelty, expressed a sexuality which was at once both shocking and sensual. Written by Ørnås

Plot Summary | Add Synopsis

Taglines:

When Valentino Dances...He DANCES! See more »

Genres:

Biography | Drama

Certificate:

16 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

20 October 1977 (Netherlands) See more »

Also Known As:

Валентино See more »

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Box Office

Budget:

$5,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Director Ken Russell later admitted the film played better without the film's most controversial scene. The Spinning Image website states: "The most infamous sequence has [Rudolph] Valentino jailed overnight for bigamy, where he is assaulted by a furiously masturbating Dudley Sutton and made to piss himself by savage prison guard Bill McKinney . . .". Rudolf Nureyev said of the notorious sequence: "Well, it was pretty gruesome. But I believed it could actually have happened and so I overcame my misgivings about doing the scene. What happens is that Valentino is the object of scorn by his cell-mates and the gaolers. His so-called sexual prowess is put to the test. They want to see the real thing. The gaoler takes away my bathroom privileges, and I'm forced to urinate in my pants, while all sorts of depraved things take place around me. It's a sadistic scene, but there is some possible truth in it. Anyway, I did it, and I think it works for the film". See more »

Quotes

Newshound: What would you call him? In a word?
June Mathis: Ha, in a word! To me, he was, a dancer.
Newshound: That's right, he was a gigolo.
See more »

Connections

References The Sheik (1921) See more »

Soundtracks

El Choco
(uncredited)
Arranged and adapted by Stanley Black
See more »

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User Reviews

 
Humorous and sexy
31 March 2009 | by JazzelyneSee all my reviews

Even if you know very little about Rudolph Valentino (like myself), it's obvious after just a couple of minutes that this "autobiography" doesn't have to be taken all too seriously. The dark humor and colorful, operatic way in which director Ken Russell tells his story, make this film interesting to watch, although some parts were just a little over the top to my taste (like Leslie Caron's excessive entrance at the funeral home, the cult of fans gathering outside Valentino's mansion and the scene in which Valentino and his co-star "practise" their love scene).

Although the choice of Rudolf Nureyev to play Valentino was a gamble, I think he is surprisingly well-cast in the title role. In my opinion, the whole essence of the movie was to make it look like a silent movie, whether in grotesqueness of the scenes or in the overly dramatic dialogs. In that light, Nureyev's performance should not be judged as "bad acting". His exaggerated accent and equally strong body language are part of his performance, which is supported by the fact that Nureyev in real life didn't had that much of an Russian accent (anymore) by 1977. Whether his acting style - or for that matter the style of the entire movie - appeals to you, is therefore merely an issue of personal taste than of professional capability of the filmmakers.

As a homosexual (or more accurately bisexual), Nureyev certainly would have related to the hate directed at Valentino and as a world-famous ballet dancer, he would also have been able to relate to Valentino's fame, outrageous lifestyle, the parasitic way in which some people surrounded him and the pressure of being an idol. He created an impression that I found believable and endearing.

Someone in another IMDb user review stated that Nureyev is "not handsome", "short" and "not muscular at all". Of course personal opinions about beauty may differ, but REALLY... if Nureyev is not considered the embodiment of physical perfection, than who is? This man has been a sex icon from the moment he became famous and was adored worldwide not only for his wonderful dancing, but also for his beautiful sculpted body and astonishing charisma. He definitely shows these trademarks in this movie. All his love scenes (even with Michelle Phillips, who he apparently disliked) ooze an erotic feeling. But above all, he shows that his dancing skills exceed the classical ballet. The most captivating moments for anyone with a warm place in his heart for dance, are certainly the spectacular ballroom scenes: from the passionate tango with Vaslav Nijinsky (one of several comical references to ballet) to the stunning duets with his two on-screen wives.

There are chances that you have mixed feelings after having watched this film, but in my case this is mainly due to the script. The main characters stay a little flat in the narrative and the big leaps in between the events leading to Valentino's death sometimes make it hard for people not familiar with the historical background of Valentino to truly understand the implications of the story. The "why" behind the larger-than-life popularity of this iconic cinematic person thus stays a little obscure. However, the sadness over a talented life cut off too early, is a similarity between Valentino and Nureyev (who died in 1993 as a result of AIDS) which gives the entire film a melancholic shine.


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