Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative...
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Jack Regan is a hard edged detective in the Flying Squad of London's Metropolitan Police. He pursues villains by methods which are underhanded and often illegal themselves, frequently violent and more often than not successful.
Arthur Daley, a small-time conman, hires former boxer Terry McCann to be his 'minder', so Terry can protect him (Arthur) from other, small-time, crooks. While Terry is trying his hardest to... See full summary »
Hard-bitten Flying Squad officer Jack Regan gets embroiled in a deadly political plot when an old friend asks him to investigate the death of his girlfriend. Framed on a drunk-drive charge ... See full summary »
Second theatrical spin-off from the popular 1970's police series. Regan and Carter head a Flying Squad investigation into a series of bank raids by a team of well-armed villains who are flying in from the continent.
Ken Boon and Harry Crawford are two middle-aged ex-firemen. Harry retires and opens a hotel (The Grand Hotel), with Ken as a temporary odd-job man. During the seven seasons (1986-1992), Ken... See full summary »
The adventures of a gang of British workmen abroad. Combines black and white humour with moments of drama, poignancy and drunkenness. In series 1, the lads head to Germany seeking work, and... See full summary »
Long running BBC comedy show consisting of sketches and humourous musical routines involving the large Ronnie Barker and the small Ronnie Corbett. Most sketches involved both men, but ... See full summary »
The Fred Tomlinson Singers
A thirty-something year-old man named Harold and his elderly father, Albert, work as rag and bone men (collecting and selling junk). Harold is ambitious and wants to better himself, but his... See full summary »
Harry H. Corbett,
Stingy landlord Rigsby manages to scam his lodgers Cooper, an arts student, and Philip, a medical student making both pay for a room they must share. However Rigsby's favorite lodger, Miss ... See full summary »
Frances de la Tour,
Terry and Bob from The Likely Lads (1964) continue their life after Terry arrives home from serving in the Army to discover that Bob is about to marry his girlfriend Thelma. Can Thelma lead... See full summary »
Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie was a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, came to CI5 from the regular police force, and was more of an open minded liberal. Their relationship was often contentious, but they were the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.Written by
Marg Baskin <email@example.com>
Ray Doyle's background was that he was born in Derby before moving to London at a young age. He describes himself as a "right tearaway" as a teenager, "cutting up another kid when he was just a kid" himself. He joined the Metropolitan Police to "get some discipline", and was their pistol shooting champion, rising to the rank of detective. He served in the forces' anti-drugs squad, and in his spare time, founded a martial arts club for local youths. In The Professionals: Mixed Doubles (1980), he states that he was glad to join CI5, as the line between what he was doing, and what the criminals were doing, was becoming dangerously thin. In real-life, the Metropolitan Police was wracked by numerous corruption scandals in the late 1970s. See more »
William Bodie and Raymond Doyle refer to each other as "Bodie" and "Doyle." Agents that have been paired together would be more informal than that and be on a first-name basis. See more »
[scene-setting voiceover from Season 1 opening titles]
Anarchy, acts of terror, crimes against the public. To combat it I've got special men - experts from the army, the police, from every service - these are The Professionals.
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"The Professionals" has been slated from all sides over the years. It's fallen foul of, among others, the self-appointed moralist zealots of television watchdog groups because of its often hard-hitting violence, and the feminist lobby for its portrayal of most of its female characters as bimbos and ciphers. Even Martin Shaw, one of its three main stars, was so embarrassed by the show that for years his veto prevented it from being repeated in the UK (or perhaps it was simply because he was ashamed of the perm which he sported throughout the show's six-year run and which led to co-star Lewis Collins giving him the nickname "the Bionic Gollywog"). Whatever the reason, "The Professionals" won few critical admirers at the time and now - in the age of political correctness - is perhaps even more widely pooh-poohed. So why did it run for 6 years and become one of British TV's biggest ever, and most popular, exports? And why does it still enjoy cult status? The answer, paradoxically, lies in the reasons why it was so widely reviled in the first place. It's violent, politically incorrect and - to put it kindly - doesn't demand that its audiences have the intellect of rocket scientists to follow its plots. It was escapist entertainment aimed at boys of all ages from 10 to 50. Pictures of Bodie & Doyle adorned the bedroom walls of teenage girls up and down the land as they got in on the act too. And the show practically became an hour-long advertisement for the Ford motor company. In the UK during the late 70s and early 80s, it was positively hazardous to venture forth on a Friday night during a "Professionals" run, for fear of being knocked over and hospitalised by some young Johnny screeching round the corner in his Ford Capri, pretending to be Bodie & Doyle. Sure, "The Professionals" (like most shows of the genre) had its moronic moments, but who can forget classics like the episode in which two anti-social misfits holed up on a high rooftop and started taking pot-shots at a nearby hospital? Or the one with Bodie trapped in a country house, under siege by a bunch of German terrorists and with all contact to the outside world lost? Everything the critics accuse "The Professionals" of may well be true. But who cares? It's still a cult classic. They don't make 'em like that any more.
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