Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Arthur Bartley and Janet Willard are fairly typical 1950s teenagers. Their lives are turned upside down however when Janet becomes pregnant. Desperate to tell his parents of the predicament... See full summary »
Brandon De Wilde,
Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is unhappy with this solution. She falls into a relationship with Toby, a struggling young writer who lives on the first floor. Eventually she comes to like her odd room, and makes friends with all the strange people in the house. But she still faces two problems: what to do with her baby, and what to do with Toby.Written by
John Oswalt <firstname.lastname@example.org>
The Smiths open their album "The Queen Is Dead" with the scene of the character Mavis leading a chorus of "Take Me Back To Dear Old Blighty". See more »
Toby and Jane wait to cross a road as marchers go by. Toby is smoking a fresh cigarette. When they cross, his cigarette is gone and his hand is in his pocket. See more »
You can't afford it.
I *know* I can't afford it. I can't afford *any* of the bloody decencies of life. I can't afford to take you out, I can't afford to buy you a proper Christmas present, I can't afford even to be able to tell you not to worry.
Look, I'm 28 years old, and I'm still living hand to mouth like a bloody tramp. I've been writing for ten years, I've written five stinking novels that nobody wants to wipe their behinds upon, and now you tell me I can't even afford a bottle of ...
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One of the best of the so-called "kitchen-sink" films, THE L-SHAPED ROOM is nearly perfect. The set decoration probably deserved an award for the way it evokes, with poetry, the incredibly realistic environment of a down-and-out London rooming house. As many commentators have noted, this film avoids clichés and gives us real-seeming characters played by gifted actors. There is not a single weak link in the cast, with Tom Bell, Avis Bunnage, Brock Peters, Cicely Courtneige among others providing so many memorable moments. At the heart of the film is Leslie Caron in an award-nominated performance that is not likely to be forgotten by anyone who sees it. This is a performance that elicits true feeling, done with a kind of invisible artistry, so it seems completely real. Bryan Forbes, one of Britain's finest directors of the period, paces the film well, relying on Caron and others to fill what may have been longueurs with true meaning. The only criticism is the use of the Brahms First Piano Concerto in the soundtrack. The surging romanticism, while appealing in itself, doesn't fit very well with the mood of the film, apart from a couple of quiet scenes. It's certainly not a big problem, only it seems an odd musical choice. A deeply affecting, unforgettable film.
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