This dramatization of a factual incident opens in a quiet Connecticut town where a kindly priest is murdered while waiting at a street corner. The citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. Although Waldron vehemently denies the crime, no one will believe him. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.Written by
Daniel Bubbeo <firstname.lastname@example.org>
Throughout the film the "take-out" coffee containers used looked like white soup containers. That's because, as hard as it is to believe, the ubiquitous NYC blue and white printed Amphora cups weren't created until 1963. See more »
When Harvey is offered a sandwich by his wife, he never takes a bite. The reason is obvious, as the sandwich had become so stale during the various takes that when he drops it you can hear the sound when it hits the plate. See more »
But his everyday work was with the people of his parish, and especially with those who sought his advice and counsel. Since he was a man of God, his labors sometimes led him into the strange and secret places of men's souls. He was just and forgiving, but he was also a man, and a stern and uncompromising judge of character.
Father George A. Lambert:
[speaking to an anguished-looking middle-aged man]
Stop that! Even if I wanted to forgive you, I... I couldn't. It's out of my hands.
Father George A. Lambert:
Jim, you're a sick man.
[...] See more »
Opening credits are listed in the form of pages of a book. See more »
Tense, taut and terrific in semi-documentary style...
The young ARTHUR KENNEDY was one of our best dramatic actors and proves it in BOOMERANG! by giving a realistic punch to his performance as an innocent man caught in a murder trap. The only man who can save him is attorney DANA ANDREWS, who does a fine job of pointing out weaknesses in the case and destroying the false witnesses.
One of the best of its kind, it's done in brisk, documentary style popular in the early forties. Well worth viewing, beautifully directed and acted by a fine cast.
Jane Wyatt does a nice job, as does Ed Begley and Sam Levene. Based on a true incident, the murder of a popular parish priest in Connecticut, the film is powerful in its demonstration of our justice system and how it sometimes works, but sometimes fails because of behind the scenes dishonesty related to political shenanigans.
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