7.6/10
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Since You Went Away (1944)

With her husband away to fight in World War II, a housewife struggles to care for their two daughters - and a pair of lodgers who have moved in - alone.

Directors:

John Cromwell, Edward F. Cline (uncredited) | 2 more credits »

Writers:

Margaret Buell Wilder (book), Margaret Buell Wilder (adaptation) | 1 more credit »
Reviews
Won 1 Oscar. Another 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Claudette Colbert ... Anne Hilton
Jennifer Jones ... Jane Hilton
Joseph Cotten ... Lt. Tony Willett
Shirley Temple ... Brig Hilton
Monty Woolley ... Col. William G. Smollett
Lionel Barrymore ... Clergyman
Robert Walker ... Cpl. Bill Smollett 2nd
Hattie McDaniel ... Fidelia
Agnes Moorehead ... Emily Hawkins
Alla Nazimova ... Zofia Koslowska (as Nazimova)
Albert Bassermann ... Dr. Sigmund Gottlieb Golden
Gordon Oliver ... Marine Officer Seeking Room
Keenan Wynn ... Lt. Solomon
Guy Madison ... Hal Smith
Craig Stevens ... Danny Williams
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Storyline

While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

David O. Selznick's first production since "Gone With the Wind" and "Rebecca" See more »

Genres:

Drama | Romance | War

Certificate:

See all certifications »
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Details

Country:

USA

Language:

English | Yiddish

Release Date:

20 July 1944 (USA) See more »

Also Known As:

Desde que te fuiste See more »

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Box Office

Budget:

$2,400,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(1949 re-release) | (DVD) | (copyright length)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Jennifer Jones and Robert Walker play young lovers. In real life, they were at the end of a failed marriage and divorced shortly after. She later married David O. Selznick, the producer of this film. See more »

Goofs

Colonel Smollett (Monty Woolley) struggled to place a garden glove on his right hand. Later, during the same scene in the victory garden, he wears a glove only on his left hand. At the start of the scene he was wearing two gloves. He took them both off, and then put on the right glove upside down before putting on the left glove. Next, when his hands (and soon all of him), were entirely off camera, he had enough time to remove the right glove, which he then carried in his gloved left hand. See more »

Quotes

Anne Hilton: [as she passes by Colonel Smollett, who is fussing with a bunch of shoes] Having difficulties, Colonel?
Colonel William G. Smollett: Oh, hello, Mrs. Hilton. Do you by any chance know where I might get some shoe polish that isn't made of old sausages?
Anne Hilton: [Chuckles] I wish I could get some sausage that isn't made of old shoe polish!
See more »

Crazy Credits

Closing credits epilogue: Be of good courage, and He shall strengthen your heart, all ye that hope in the Lord. See more »

Alternate Versions

The DVD release from MGM restores the film's original entr'acte music, and uses a series of different still photos as the backdrop for both the overture and entr'acte. Previous video and laserdisc releases from CBS/Fox repeated the overture as the intermission music, and used the same still photo (the fireplace shown in the opening credits) for both overture and entr'acte. (In original theatrical showings overture and entr'acte music played over a black screen - the visual montages were added for the home video releases.) See more »

Connections

Featured in Biography: Jennifer Jones: Portrait of a Lady (2001) See more »

Soundtracks

(Oh My Darling) Clementine
(1884) (uncredited)
Music by Percy Montrose (1884)
Lyrics by H.S. Thompson (from "Down By the River Lived a Maiden") (1863)
Sung a cappella by Robert Walker and Jennifer Jones
Reprised on guitar and sung by a convalescing soldier
See more »

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User Reviews

 
Personal Remarks
26 August 2004 | by harry-76See all my reviews

As I watched this recently on Turner Movie Classics, a number of trivial points ran through my mind. David O. Selznick certainly had a knack for making clear statements and making sure that everything in his productions (at least up to this time) was easily understood by viewers of all levels.

As his cinematographer, Lee Garmes, was noted for his tendency toward dark images, I was constantly aware of the many shadows in his shots. For his actors to move from one position to another they walk through at least one area of total darkness. There are many shadows on their faces, many profiles, and sharp light and dark contrasts in the background. While Selznick reportedly didn't appreciate Garmes' signature style for GWTW, David certainly tolerated it here, and this dark ambiance gave "Since You Went Away" a quality of depth and substance it might not otherwise have had.

David's effort to get the "perfect" cast paid off. With Colbert anchoring the enactment with a great performance, the film was also blessed with excellent work from Cotten, Jones, Temple, Wooley, McDaniel, Moorhead, et al.

It looks like Colbert's preference for being photographed from the left side is valid. On my system, motion can be stopped and slowly forwarded, observing her from the right side when she turns. In real time one only glimpses; in slow motion one can see her point.

Max Steiner's themes are quite haunting (one of his main ones reveals generic influences of the "Liebestod" from Tristan und Isolde--another the basis for a later Christmas song) and his careful underscoring of every action works well here. TMC Channel's inclusion of the complete Overture and Entr'acte enhances the presentation's effectiveness. It's a joy to see material once cut from so many "classics" now sensitively restored.

Knowing what the Walkers were going through in real life (marital separation) during this filming does indeed make me further appreciate the fine quality of their work. Though Jennifer reportedly often left the set in tears, not a hint of that shows. That indeed is strong acting.

The volume of sad and tragic events depicted in this film now seems, by the end, a wee bit much. Still, this "tear jerker supreme" continues to be enjoyed by many viewers, and "Since You Went Away," remains a nostalgic enactment of an emotional period in American history.


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