7.2/10
301
10 user 1 critic

Street Girl (1929)

A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life.

Director:

Wesley Ruggles

Writers:

Jane Murfin (screen play), W. Carey Wonderly (from the story by: "The Viennese Charmer" in Young's Magazine)
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Cast

Complete credited cast:
Betty Compson ... Frederika Joyzelle
John Harron ... Mike Fall
Jack Oakie ... Joe Spring
Ned Sparks ... Happy Winter
Guy Buccola Guy Buccola ... Pete Summer
Joseph Cawthorn ... Keppel - Cafe Owner
Ivan Lebedeff ... Prince Nicholaus of Aregon
Doris Eaton Doris Eaton ... Singer at Club Joyzelle
Gus Arnheim and His Cocoanut Grove Ambassadors Gus Arnheim and His Cocoanut Grove Ambassadors ... Musical Ensemble at Club Joyzelle (as Gus Arnheim and his Ambassadors)
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Storyline

Jobless, homeless and starving Freddie Joyzelle is saved by Mike Fall from the clutches of a masher, and is then invited to stay with him and his musician partners for at least two weeks. The four men call themselves The Four Seasons because of their surnames: there is also Joe Spring, Happy Winter and Pete Summer. Besides joining their group as a violinist, Freddie cooks and cleans for them and even gets them a gig at the Little Aregon restaurant after they are fired for asking for a raise at their old job. She is from the country of Aregon and knows the owner, Mr. Keppel, also from Aregon. When Prince Nicholaus of Aregon pays a visit to the restaurant and recognizes Freddie, he kisses her on the forehead, creating front page news that makes the restaurant famous. Keppel decides to open a larger restaurant because of the increase in business. Although Mike and Freddie love each other, Mike gets jealous at the attention Freddie gives the Prince, and quits the group two hours before ... Written by Arthur Hausner <genart@volcano.net>

Plot Summary | Add Synopsis

Plot Keywords:

violinist | new york | jazz | nightclub | See All (4) »

Taglines:

A laughable, human, heart-compelling drama of a Broadway Cinderella. (Print Ad-Lodi Sentinel, ((Lodi, Calif.)) 24 Octobber 1929)

Genres:

Drama | Musical | Romance

Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

21 August 1929 (USA) See more »

Also Known As:

A Princesa do Jazz See more »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Photophone System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

Promotional material claimed Betty Compson was an accomplished violinist and was playing live in her musical scenes, but, in actuality, her playing was mimed to previously recorded violin solos by off screen Russ Columbo who also appears on screen as an uncredited member of Gus Arnheim's Orchestra. This information was later revealed by the music's composer, Oscar Levant. See more »

Quotes

Joe Spring: Well, seeing as you met my two boyfriends here, Summer and Winter, I'd like to introduce myself. I'm Joe Spring. The star of this band. And that slug on your left, there, being too ignorant to introduce himself, I'd just like to tell you that that's Mike Fall, the original fall guy.
Frederika Joyzelle: Oh, I know you boys. You are the Four Seasons.
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Connections

Version of Four Jacks and a Jill (1942) See more »

Soundtracks

My Dream Memory
(1929) (uncredited)
Music by Oscar Levant
Lyrics by Sidney Clare
Performed by Betty Compson on camera, dubbed by Russ Columbo off camera, violin with Gus Arnheim and His Cocoanut Grove Ambassadors
Also performed by Raymond Maurel and Betty Compson
Also performed by Betty Compson and Gus Arnheim and His Cocoanut Grove Ambassadors
See more »

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User Reviews

 
O.K. for 1929
1 October 2008 | by mgconlan-1See all my reviews

I'll say quite a few good things about "Street Girl." The overall plot is serviceable, the songs by Oscar Levant and Sidney Clare are nice period pieces (Levant spent much of his life trying to play on the pop-songwriting turf of his good friend George Gershwin, and he wrote one truly great song — "Blame It on My Youth" — but Gershwin he wasn't), the big musical finale "Broken-Up Tune" is suitably spectacular (I suspect this number was originally in two-strip Technicolor even though it only survives in black-and-white, and in the print just shown on TCM there's one shot in the final sequence that is photographically quite inferior to the rest, suggesting that the film as it stands was pieced back together from partial prints), and above all Wesley Ruggles' direction, though hardly at the imaginative level of Mamoulian's, Capra's, Wyler's, Milestone's or Vidor's in their first talkies, is quite fluid. The camera moves around quite a lot, the editing is fast-paced and the actors speak relatively naturally without the seemingly endless pauses between lines (sometimes between words!) that make a lot of early talkies virtually unwatchable today.

That's the good news. The bad news is the writer's dorky decision to change the origin of Betty Compson's character from a real country, Austria, to a fictitious one, "Aregon" (presumably not to be confused with the real Spanish province of Aragon); the awful accent Compson affects to sound suitably "Aregonese"; the casting of Jack Oakie without giving him any laughs (and he's utterly unable at any point to convince us he can actually play the clarinet); and a pretty sluggish pace despite all the camera movement and quick cutting. Also there's the obvious cheapness of using the same pre-recording of the song "Lovable and Sweet" all three times it's performed (you can tell because of the Beiderbecke-esquire "smear" John Harron's trumpet double performs in his solo each time). It ends up an O.K. movie but you get the impression it could have been better made a few years later — indeed it WAS made better on two separate occasions; "The Girl from Paris" isn't that great a movie either (though at least Lily Pons' accent is her real one!) but it's a damned sight better than this.


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